Final Cut Pro now has cross-app functionality with Pixelmator Pro, so editors can open images directly from the timeline and save changes to the project without needing to import the image again. Other improvements include more keyframe simplification options, the ability to disconnect clips from the main story to place them anywhere on the timeline, and 23 new transcription languages.
Apple
Motion also benefits from the acquisition of MotionVFX; incorporates new options for 3D camera tracking, cinematic color grading, and one-click selection for visual effects. Motion also supports a new Scroll filter, imaging and editing from text descriptions, cross-app functionality with Pixelmator Pro, and fine-tuned keyframe anti-aliasing. Compressor supports the ability to encode Cinema mode video recorded on iPhone 18 Pro and iPhone Duo.
Pixelmator Pro
Pixelmator Pro gets the power of AI with its new Generate Fill option that makes edits based on a user’s description. It takes into account the surrounding area to combine lighting, perspective and texture to create a perfect match. Sharpness is maintained with Pixelmator Pro’s built-in super resolution technology.
Professional logic
Apple worked with OpenAI to create a new smart assistant in Logic Pro for Mac. The assistant can be used to navigate workflow productions, refine an active project, start a new song, or set up a vocal track. The browser has been redesigned to make it easier to find patches for effects, instruments, loops, and more. Logic Pro can analyze and classify sounds to make them easier to find.
The improved Stem Splitter now has the ability to isolate, replace or rebalance drum parts without the need for the original multitracks. A new producer package from Sergio George features authentic salsa and Latin jazz loops, including a full salsa percussion section, brass ensemble and bass.
Apple
Logic Pro also has a Voice Memo Studio Sound feature that can reduce noise in iPhone recordings. And Logic Pro on both Mac and iPad has improvements to Liquid Glass Ui.
